Tortuga Bay, 2016 Eric Hoffer Award Finalist!
A pirate, a ninja, and a gens de couleur wak into a bar in 1784 New Orleans….
The punchline? I think this is my next action/adventure series, probably launching after the third book in The Pirate of Panther Bay series is published by SYPP in 2017. The new series will follow three sets of characters as they branch out on their own at the end of the third book: Isabella and Juan Carlos, Gabrielle and Louis, and the ninja (yet to be named). New Orleans provides a provocative blend of Spanish and French colonial cultures. Adding a Japanese to the mix has the potential to ramp up tension and conflict immeasurably!
At the end of Tortuga Bay, I had decided to take Isabella to the U.S., cruising up the west coast of Florida to St. Marks, then Pensacola, and ending her journey in New Orleans. (I have plans for Isabella and Juan Carlos, there.) I wanted to make the third book a little more fun, however. So, I was thinking about adding a ninja. A Ninja? you (a reasonable person) might ask?
I already had a free black (gens de couleur) added to the cast up Isabella’s daring and desperate escape from Port-au-Prince and Dr. D’Poussant’s henchmen. Why another character? In part, each of my novels explores cultural conflict. The Pirate of Panther Bay series stretches challenges readers on a number of different fronts, both in terms of how colonial powers viewed slavery as well as pirates. Fundamental differences in the value of human life are explored in The Pirate of Panther Bay, as Isabella struggles with her place in the world as an escaped slave under the contradictory philosophy and social psychology in play in Catholic, colonial Spain. In Tortuga Bay, differences between and shifting alliances among France and Spain are central to the story. So, I think the third book is ripe for a new take on cultural differences. Why not add an Asian influence?
The glory days of the Ninja, masters of ninjutsu, were in medieval Japan between 1500 and 1700. Japan was unified in 1700, and the role of the ninja declined precipitously as their services against warring clans where no longer needed. This actually sets up the back story for my ninja pretty well. Since the demand for their skills largely disappeared, a ninja would have little reason to stay in Japan (particularly if the government was trying to shut them down). Yet, their skills would be particularly well suited for pirating, even in the Caribbean.
While the ninja were in decline after 1700, they didn’t disappear altogether. Indeed, their training forms the basis of To-Shin do, a self-defense oriented martial art created by Stephen K. Hayes. Hayes is a member of the Black Belt Hall of Fame and is credited as one of the key figures leading the revival of ninjutsu and introducing it to the U.S. (Also, my black belt is in To-Shin Do, and this marital arts provide the foundation for my novels A Warrior’s Soul and Renegade.)
Shiraishi Island, Japan. This old fishing village will be the boyhood home of the ninja in the third book in the Pirate of Panther Bay series.
The character really came together for me while visiting Shiraishi Island in the Seto Sea. The island would have been a tiny fishing village at the time, but my character will be discovered by a old ninja traveling through rural Japan. The old man will discover the talent of my character and bring him to a training facility in the mountains of the fabled Iga Provice of Japan. Then, he will make his way to the Caribbean. This is all backstory, but this background will be essential as his own series takes off from the Pirate of Panther Bay series.
I am very excited about this new series prospects!
