Tag Archives: action movies

Terminator: Dark Fate adds humanity to a long-running franchise

Terminator: Dark Fate is surprisingly good for a movie that lines up as the sixth in the Terminator franchise. (Full disclosure: I saw T1 and T2, but missed all the others.)  Produced by James Cameron and directed by Tim Miller, Dark Fate brings back Linda Hamilton as Sarah Connor and Arnold Schwarzenegger as an older model terminator with the human name Carl. The movie also introduces Latina actress Natalia Reyes as Dani Ramos, a Mexican teenager who has been targeted by the future as the newest threat to the machines of the future by dispatching the newest model terminator (a Rev 9 played by Gabriel Luna). Mackenzie Davis plays Grace, an uber warrior of the future — an augmented human — sent back in time to protect Dani.

For those that have seen T1 and T2, Dark Fate is supposed to be a chronological sequel. The plot picks 28 years after the events of T1, and Sarah Conner is a one-woman terminator hunter and destroyer. Connor mysteriously receives text messages that give her to coordinates of terminators as they arrive from the future, and she destroys them. This becomes an important plot point but telling more would reveal a bit too much for a movie that just opened in theaters and is destined for a long run. 

On the one hand, “Dark Fate” is a pretty standard terminator movie in terms of plot and action. The plot twists are important, but it’s the action that keeps forward momentum in the story. What distinguishes “Dark Fate” from T1 and T2, is the layers screenwriters David Goyer, Justin Rhodes, and Billy Ray bring to the characters in this sequel. In contrast to the terminators, which show no emotion — they are robot killers, after all — the trauma experienced by Sarah Connor and Dani Ramos is palpable in their characters. Their arcs are well crafted, logical, and break through the expected (and exceptional) CGI and other special effects. Both characters experience dramatic breaks although Dani’s trajectory is more linear.  Linda Hamilton’s experience as an actor shines as she effectively casts important levels of reflective humanity into the deeply scarred character of Sarah Conner. That’s no small feat for a hard-core action film. Even Schwarzenegger is given more latitude as an actor, despite being a machine from the future, adding yet another subtle but important dimension to the story and film franchise.

Linda Hamilton has talked in interviews how female characters have evolved to the point where they can be tough and feminine at the same time. I have written about this as well, specifically as it relates to how Sarah Conner was scripted in T1 (see the link to my article in the comments section). Hamilton is right on Dark Fate. Sarah Hamilton is tough, but layered, and it’s great to see this character become more three dimensional and fleshed out. 

Overall, terminator movie fans should be entertained Dark Fate. Those looking for good acting, good stories, and character arcs should also find plenty to satisfy them as well.

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Anna‘s stylish action elevates its story

Anna is the newest action movie by French auteur director Luc Besson and my full review is now live at The Beacon. The creator of Leon: The Professional and La Femme Nikita, among others, has helped him build a reputation for deeper storytelling while also paying attention to style and the craft of film making. This approach is clear in Anna, where Besson makes the risky move of casting real-world Russian super model Sasha Luss in the title role. It works.

Besson doesn’t pull back on the action sequences nor the femininity of the emotionally traumatized titular character. The fight choreography is impressive because of its physicality as well as its calibration to the physique and mental state of the lead character. Anna never transforms into a buff, physically trained fighter. This is critical for the plot and the character.

Film critics have not been kind to Anna in their reviews, but audiences clearly enjoy it — as I did. I find it odd that the critics’ major hit against Anna appears to be that Besson doesn’t seem to add anything new to the genre. But some of these critics haven’t found similar faults with franchise films in such series as Mission Impossible, Jason Bourne, or John Wick. Besson’s character. The story in Anna is more nuanced than these other films. The layers were clear to me in the way Besson builds the arc of the character, the time jumping through the story, and the nuanced choreography of the martial arts sequences. (Sure, the fights are excessive. But that’s a staple of Western action films.)

My full review is now live at The Beacon, the blog of the Independent Institute.

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