By SR Staley

St. Nic, Inc. was awarded second place in the 2015 Royal Palm Literary Awards, and the win was a real confidence booster for me personally. This isn’t the first time I’ve won a book award–Renegade (Wheatmark) took home second place in the Seven Hills Literary Contest and Drug Policy and the Decline of American Cities (Transaction Books) earned 1st place in the Sir Antony Fisher Memorial Prize–but the RPLA award has elevated my fiction writing to a new level of respect among my fellow authors.

With a few more years of experience under my belt, however, I can reflect on the impact of the award and its meaning, personally and professionally. So I put together these thoughts on the expected and unexpected benefits of winning the award.

1. Professional validation. Perhaps now more than at any other time, authors wonder if their writing is “good enough.” In part, this is due to the tremendous change in the publishing industry. As traditional legacy publishers with integrated national distribution networks consolidate, and smaller presses focus on niches, authors are finding the only practical pathway to publication is often through self-publishing or some form of subsidy publishing. While many excellent books are published through these sources–in fact, Renegade was published through Wheatmark, a very professional hybrid publisher–authors are often left wondering whether their writing is good enough to compete. Winning an award tells us that yes, we can write and we can achieve excellence, at least as measured by our peers.
2. Reader validation. I didn’t really think about this until I pondered the self-centered nature of a one-star review I received on amazon for, ironically, St. Nic, Inc. The reviewer trashed St. Nic, Inc.–and I mean trashed it–despite a slew of four- and five-star reviews that proceeded it. When our books win a literary contest, we validate our readers and all those who enjoyed our stories and characters. No one who left a good review on amazon.com will ever have to justify their positive review, and, just perhaps, we hold the book snobs and narcissists accountable for their bad behavior.
3. Raising awareness. Winning an award, or even making it to the semifinals or finals, raises awareness about our work, giving us a needed boost to our marketing efforts. Sometimes, publishers and authors get caught in a cycle of simply generating content and posts on social media just to keep our name visible. But winning a literary award provides real content and is a win-win: Authors benefit because the quality of our work is validated through an external, third-party source and the book awards benefit by marketing their contest, raising the competitiveness and improving the validity of the contest in future years.
4. Rekindling the joy of writing. Writing is a long, arduous process. As creative as the it can be, we face many periods of slogging through stages we would prefer off load to someone else. I remember when my first book was published–Drug Policy and the Decline of American Cities–its actual publication seemed anti-climatic. So much time had been spent finalizing the manuscript, monitoring the book through the production process, developing the marketing plan, and navigating dozens of other smaller administrative decision points that that joy and wonder of writing seemed completely displaced. Winning the Fisher Award goosed my creative energies (as have the Seven Hills and RPLA wins).
5. Validating my publisher(s). With nine published books under my belt, I think authors tend to forget the importance these wins have for our publishers. I have become more keenly aware of this since my venture with Wheatmark, a subsidy publisher (but not a true self-publishing company because they don’t take every project), I am more keenly aware of the time, effort, money and resources needed to bring a quality book to press. My publishers–subsidy, self, or traditional–deserve my best efforts to market and sell books for them. Otherwise, they go out of business and our careers stall. In years past, self-publishing was a dead-end for a career. Now, the game is completely different, and publisher like Wheatmark and my current (traditional) publisher, Southern Yellow Pine Publishing, are partners. Winning book awards validates their investment in me as an author.

Many authors are rightly proud of our work when we win an award. But I think the benefits are far broader than we often appreciate. So, this award is not just for me; it’s important for everyone who supports and invests in my career as an author.

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