Tag Archives: Christian Bale

Ford V Ferrari speeds to the Oscars on the intensity of racing and its rivalries

Ford V Ferrari burned rubber screeched into 2020 major awards season, nominated for a slew of categories. One of those categories for the 92nd Academy Awards is Best Picture. While the movie is very good, and definitely ranks among the best racing films made within the last several decades, it’s nomination for Best Picture is a bit of a surprise.

The story centers around the Ford Motor Company’s attempt to resurrect its brand by showing it could compete with Ferrari, the world’s most advanced, high-performance car manufacturer. The prospect is remote, although the company’s boss, Henry Ford, II (Tracy Letts), seems committed. He retains legendary race car driver and personality Carroll Shelby (Matt Damon) to design and build the car. Unfortunately, a heart condition keeps Shelby out of the race car. In his place, Shelby coaxes the brilliant, caustic, and personally volatile Ken Miles (Christian Bale) to join forces with him. As Miles goes about alienating everyone he runs into, it’s up to Shelby to play the corporate politics and keep him on the team.

The setting for the ultimate showdown is the LeMans 24 hour race in France in 1966. The location is legendary in racing circles. The track is full of twists and turns. In other words, it’s an ideal setting for a slick, well edited movie like Ford V Ferrari.

The movie is well acted, anchored by authentic yeoman performances by Damon and Kelly. The supporting cast is also strong, ensuring that the film overall can showcase the talents of the two stars. Other characters don’t get the same latitude, defaulting into more two-dimensional roles. 

The plot is also predictable and straightforward. The story properly focuses on the dynamic between Shelby and Miles. While corporate politics plays an important role in the story, the script has little nuance or layer. The entire rivalry appears to be driven by the ego of Henry Ford as he responds to a personal insult thrown by Enzo Ferrari (Remo Girone). Shallow business types more interested in show and marketing glitz insert themselves at key points at predictable points to keep the story moving. Historically, this story line does a disservice to Henry Ford II, who is recognized as a strong innovation-focused business leader and critical to Ford’s economic rebound after World War II. The movie is reduced to a simple formula of Shelby, Miles, and Ford’s personal quest to win LeMans.

Nevertheless, Ford V Ferrari is a story of an authentic rivalry and actual conflicts between colorful real-world legends. As a movie about racing and personalities, Ford V. Ferrari delivers. While its nomination as Best Picture is a bit surprising given the strength of other contenders in the field, the intensity and polish of the racing scenes buoyed by strong acting by Damon and  Bale give it a real shot of taking home the Oscar statuette for film editing, sound editing, and sound mixing.  

Ford V Ferrari has been nominated in the following categories for the 92nd Annual Academy Awards:

  • Best Picture
  • Film Editing
  • Sound Editing
  • Sound Mixing

Review: The Promise, Armenia, and the Origins of Genocide

My full review of the move The Promise is live at the Independent Institute. This narratively complex film never loses its main focus as a story of the Armenian Genocide. Nearly three quarters of the Armenian population living in the Ottoman Empire—1.5 million men, women and children—died between 1915 and 1924 through forced marches, conscription into labor camps, rioting, and mass murder.

I write:

If you want to know the origin of the term “genocide,” watch the film The Promise. Literally. The movie is billed as a romantic drama, but it’s really a well-produced, narratively complex story of the Ottoman Empire’s systematic and targeted extermination of 1.5 million Christian Armenians through starvation, forced labor, rioting, and massacres in what is now Turkey.

In fact, the word “genocide” was coined in 1944 by Raphael Lemkin, who drew directly from the Turkish government’s expulsion of 2 million Armenians between 1915 and 1924 to define the practical parameters of the term. The Promise, while fiction, does a hauntingly good job of staying faithful to the story of the what is often now referred to as the Armenian Holocaust.

Unfortunately, the film was sold as a romantic drama featuring a love triangle that doesn’t quite work. The love story serves a critical purpose, however, tying together Armenian internal conflict with the pogram’s political motivations and press efforts to raise global awareness of the atrocities. The acting by Oscar Isaac, Charlotte Le Bon, and Christian Bale is very good, but the chemistry for a love triangle simply isn’t there. I’ll analyze this in a later post on this blog, but all three characters need to be in sync and connected for a love triangle to work.

Nevertheless, even with this shortcoming, I recommend the movie. It’s a solid film, remarkably faithful to the real-world events that inspired it, includes epic visuals and digital effects, and tells an important historical story. It’s also highly relevant to events unfolding in the Middle East today.

Read the full review here.